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Opera Album Review: A Fittingly Fresh First Recording of a Flexible One-Acter by Donizetti’s Teacher

June 4, 2023
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Johann Simon Mayr’s delicious L’Accademia di musica gets a spiffy performance from the “Rossini in Wildbad” Festival.

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Rock Album Review: John Powhida’s “Jerry’s House” — Nonstop Fun

May 9, 2024
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The album lightly reiterates John Powhida’s prog influences while offering a snappy set of short, earworm-inducing pop songs.

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Book Review: “Manhattan Beach” — Taking a Deep Dive

December 26, 2017
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Manhattan Beach feels acutely relevant despite being set in the past.

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Fuse Concert Review: A Lively Anonymous 4

January 31, 2012
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The Anonymous 4 went through their medieval and early Renaissance paces, vibrato-less but historically informed and performed.

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Arts Commentary: When the Going Gets Tough, the Tough Get Marketing

August 24, 2007
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Revving up marketing machinery raises some uncomfortable questions: Why should donors give funds to a theater if their money is going to pay for focus groups and demographic studies rather than to support the work of artists?

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Film Review: Driving to the Exit – Panah Panahi’s “Hit the Road”

May 17, 2022
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Panah Panahi’s film is a powerful ode to the will to escape a restrictive society — and to tell stories.

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Film Review: “Kurt Vonnegut: Unstuck in Time” — Satiric Fury, with a Dry Midwestern Chuckle

January 1, 2022
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The documentary supplies plenty of deserved admiration for its haggard but gentle subject, but it doesn’t tell us enough about the enduring value of Kurt Vonnegut’s writing.

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Coming Attractions: June 26 through July 5— What Will Light Your Fire This Week

June 26, 2016
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Arts Fuse critics select the best in theater, visual arts, film, music, author events, and dance for the coming week.

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Coming Attractions in Jazz: Autumn Festivals 2012

September 14, 2012
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From the Berkshires to Cape Cod, and with a major stop in Beantown, Massachusetts is the place to be for the autumn jazz festival season.

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WATCH CLOSELY: “Luna Nera” — Witch Hunt!

March 9, 2020
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Luna Nera is mainly produced and written by women and proffers a satisfyingly feminist, woman-centric aesthetic — as witch narratives seem to do more and more these days.

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