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Reviews of the cogent and well-crafted The Big Payback, the comprehensive if conventional Zora Neale Hurston: Claiming a Space, and No Straight Lines: The Rise of Queer Comics, which expertly balances whimsy and gravity, though the version of the film shown by PBS has been heavily censored.
Read MoreIn her fabulous, intensely involving book, author Katie Roiphe crawls into the deathbeds of five writers who wrote brilliantly and prolifically.
Read MoreJohn Berberian, an Armenian-American master of the oud, is in our midst.
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As the age of COVID-19 wanes, Arts Fuse critics have come up with a guide to film, dance, visual art, theater, and music. Please check with venues about whether the event is available by streaming or is in person. More offerings will be added as they come in.
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A valentine card is touching because it is short and sweet. A valentine play — even at 90 minutes with no intermission — wears out its affectionate welcome.
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Fleabag is a clever, frenetic and coolly smart series, balancing humor with an increasingly dark intensity.
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This is one of the best documentaries I have ever seen, one that I plan to view again and again.
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The album lightly reiterates John Powhida’s prog influences while offering a snappy set of short, earworm-inducing pop songs.
Read MoreManhattan Beach feels acutely relevant despite being set in the past.
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Jazz Remembrance: Jazz Trumpeter Extraordinaire Clark Terry
Gradually, Clark Terry developed on the trumpet the rounded, full tone that became so distinctive.
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