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Book Review: “Big Girl, Small Town” – Vinegary Vignettes

November 29, 2020
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This novel’s greatest strength is its frank character sketch of Majella. The protagonist is sharply rendered through her observational, sensory navigation of the people and doings in the fictional Northern Ireland town, of Aghybogey.

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Jazz Album Review: Miguel Zenón’s “Música de las Américas” — A Buoyant Musical Adventure

August 19, 2022
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The saxophonist has the slithery facility of a bebopper, but I also hear something of the forthright stance of Coltrane in his playing, despite the rhythmic complexity of his writing — and his distinctively varied use of his Puerto Rican background.

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Book Review: “The Brilliant Abyss” — Our Imperiled Oceans

June 23, 2021
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Helen Scales is a self-described nerd who studies the ocean as an enthusiast as well as a scientist.

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Jazz Album/Concert Review: Saxophonist Joe Lovano — x 2

July 5, 2020
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No matter his musical surroundings, there is never any doubt that it is Joe Lovano you are hearing.

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Rock Concert Review: Billy Joel — A Seamless Show

September 16, 2019
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Billy Joel remains in fine voice and his versatile bandmates provided his songs with grace and fire power that fleshed out his casual but punchy onstage prowess.

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Theater Review: “Bootycandy” — Bawdy and Sweet

March 22, 2016
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Bootycandy is sharp-witted and entertaining — but thoroughly sugary.

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Theater Review: “Disgraced” — Relevant, But Soap Opera

January 15, 2016
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Given the rise of radical Islamic terrorism, Disgraced is nothing if not timely.

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Fuse Theater Review: “Intimate Exchanges” — A Comedy of Possibilities

July 2, 2015
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In many ways, Alan Ayckbourn in Intimate Exchanges has concocted the perfect recipe for a company like the Peterborough Players.

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Concert Review: Pianist Marc-André Hamelin at the Shalin Liu Performance Center

June 21, 2015
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Marc-André Hamelin, one of the world’s elite pianists, held the packed Shalin Liu Performance Center enthralled.

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Film Commentary: Tax Break for MA Filmmakers First — Hollywood a Far Second

June 10, 2015
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Many of the films being made in Massachusetts are by independent Massachusetts filmmakers, most of them documentarians. Why is nobody talking about how to subsidize them via the tax credit?

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