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Tool is going to remain relevant as long as the band can still effectively unleash its nightmare-ish delights for fervid fans.
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Zhang Yimou’s return to form is a story of doubles, duplicity — and zithers.
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Michael Hofmann nicely captures our age of truthiness and alternate facts and multiple perspectives, the hollowness of everything from the news-cycle to pop-up restaurants, all of the distractions driven by money and advertising.
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“They created an alternative to the pop music model, and it’s been very powerful. It’s a whole world unto itself.”
Read MoreMavis Staples’ colossal voice fully blanketed the entire venue and tucked its way into every nook and cranny.
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Eri Hotta’s biography of Shinichi Suzuki is about optimism, gentleness, doggedness, belief in children, humanity, and the affirmative properties of art in the face of violence and ignorance.
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We need to realize how important class is in order to understand how inequality can rise as Confederate monuments fall.
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The dynamics of this splendid trio album, “a response to the division and turmoil in our world,” are gracefully balanced.
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Throughout this superb live album, percussionist Gustavo Cortiñas allows his fellow band members an enormous amount of space, and that is welcome because of their high level of musicianship.
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In this performance, Blue Heron conveyed enough merriment for Christmastime and beyond.
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