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I enjoyed God’s Own Country for its realistic style and its unflinching vision of intimacy.
Read MoreGeorge Szell’s Reign is ultimately an accessible, often sociable, but sometimes perplexing fan’s history of the Orchestra and its storied music director.
Read MoreCongratulations to the nominees and the awardees.
Read MoreCompiled by Bill Marx As the age of Covid-19 wanes (or waxes?), Arts Fuse critics supply a guide to film, dance, visual art, theater, and music. Please check with venues about whether the event is available by streaming or is in person. More offerings will be added as they come in. The DocYard Spring Series…
Read MoreThe Kentuckian’s message is one of both heritage and empathy — and the necessity of both.
Read MoreMark St. Germain’s drama is not about Cold War politics, but the question of whether a great man is (or need be) a good man.
Read MoreThe touring company of Dear Evan Hansen is every bit as good as its Broadway counterpart.
Read MoreMaureen Keiller and Will Lyman have performed numerous staged readings of Oh God and their intimate knowledge of the text shows.
Read MoreCraig Atkinson’s incendiary new documentary provides sobering food for thought on the rise of police brutality and intimidation in America.
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Music Commentary: The 50th Anniversary Celebration of the Boston University Tanglewood Institute
If any of you are harboring a budding young musician, investigate the possibility of he or she attending BUTI.
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