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The program was a delight, especially for those, like this reviewer, who, for years, have yearned to visit Paris again. Aurally, Skylark flew us there.
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A surprisingly moving collection, all of it mightily played and sung by musicians who clearly intuit John Harbison’s musical language.
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Host Elizabeth Howard and artist Halim A. Flowers engage in a provocative conversation around issues raised by art, the criminal justice system, and how it felt to be incarcerated as a minor.
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Jessie Montgomery’s Rounds is a testament to her impressive compositional chops. Let’s have more from her here, and often.
While the orchestra’s program was almost defiantly canonical, it was played with such lightness and energy that you could forgive its disappointing safeness.
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Though Al Stewart can’t hit the high notes like he used to, his distinctive, crisp voice is still strong and melodic at 72.
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This Hopkins Center production will be the US premiere of Dada Masilo’s much-anticipated reimagined version of Giselle.
Read MoreDespite its drawbacks, this is a powerful production that speaks to what is happening today.
Read MoreIt was rather shocking to see Gregg Allman in such good shape this week: He looked as fit and trim as he has in decades.
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Music Commentary: The Black Crowes — Redux?
When have the Robinsons ever done what was expected on them? And when have they ever really cared?
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