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Historian Jackson Lears assembles sightings of a world that’s changeable, mutable, and filled with animalism, vitalism, or whatever else you want to call it. But what’s the point?
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In this book, Naomi Klein shines a light on the path to a politically and economically just model of sustainability.
Read MoreIn 1939, Clifford Odets wrote that ‘we are living at a time when new art works should shoot bullets.” Fat chance of any shots coming from our voluntarily disarmed theaters.
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Each month, our arts critics — music, book, theater, dance, television, film, and visual arts — fire off a few brief reviews.
Read MoreCommedia dell’arte performers doing their thing in the HTC world premiere production of “The Miracle at Naples.” The Miracle at Naples, a new comedy by David Grimm. Directed by Peter DuBois. Presented by the Huntington Theatre Company at the Stanford Calderwood Pavilion at the Boston Center for the Arts, through May 9, 2009. Reviewed by…
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Even after decades, The Damned is still grandly flying its freak flag.
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As the age of Covid-19 wanes (or waxes?), Arts Fuse critics supply a guide to film, dance, visual art, theater, and music. Please check with venues about whether the event is available by streaming or is in person. More offerings will be added as they come in.
Read MoreThe essential task of the critic is not to like or dislike the arts or to push bromides, such as to celebrate the “power of reading.” Despite some troublesome modifications, Lionel Trilling carries on the mission of E.A. Poe and Henry James: he articulates the value of the serious act of judgment in a culture hostile to it.
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Arts Fuse critics select the best in film, dance, visual art, theater, music, and author events for the coming weeks.
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Music Commentary: Nanci Griffith vs. the “New Yorker”
It was the sniping tone that made the article perplexing. I would almost call it perverse. Why treat so cavalierly — even shabbily — a deceased, highly esteemed, Grammy-winning artist?
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