Search Results: The Slip online
A trio of superb off Broadway plays explore the complicated faces of love and lust — from the seamy to the sublime.
Read MoreRichard Vacca’s The Boston Jazz Chronicles will be a foundational document that other researchers will turn to again and again as they delve into more specific niches of Boston jazz history and unearth as yet unknown artifacts of this era and its neglected body of music.
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Flamenco is big, bold, and fully human as it (often) traces the tensions of courtship, indulging in the sensual and the aggressive.
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By Aaron Keebaugh Lithe and economical, Boston Baroque’s superb production of Iphigénie en Tauride proved the old adage that less can be more. Iphigénie en Tauride, an opera in four acts. Libretto by Nicolas-François Guillard. Music by Christoph Willibald Gluck. Performed by Boston Baroque. Martin Pearlman, conductor. Mo Zhou, stage director. At GBH’s Calderwood Studio,…
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A powerful document about the persecution of an American icon and the government that tried to destroy him.
Read MoreHorton Foote’s dialogue often dances on the edge of sentimentality, but, because of these performers, moments that might be sappy are instead deeply moving.
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For fans of novellas, Filthy Rich will be a trashy guilty pleasure.
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Nancy is mystifying, but in this case the inexplicable has its fascinations.
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My Father Knew Charles Ives and Harmonielehre make an excellent pairing on the Nashville Symphony Orchestra’s new, all-Adams album led by music director Giancarlo Guerrero.
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At the very least, Jerome Charyn’s considerable novelistic imagination should send readers back to any number of documentary films and, most important, to the still very real fact of Maria Callas’s vital recorded legacy.
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