Search Results: Dan Reeder Troubled Soul instrument used

Book Review and Commentary: Testaments to the Wonderful Ears of Ralph J. Gleason

July 26, 2016
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A writer has to write for the now or to write for the ages. Gleason almost always chose the now, but his best moments go deeper.

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Coming Attractions: October 9 through 23 — What Will Light Your Fire

October 9, 2018
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Arts Fuse critics select the best in film, dance, visual art, theater, music, and author events for the coming weeks.

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Coming Attractions: April 24 through May 3 — What Will Light Your Fire This Week

April 24, 2016
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Arts Fuse critics select the best in film, theater, dance, music, visual arts, and author events for the coming week.

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Fuse Music Commentary Series: Jazz and the Piano Concerto — Setting the Margins

February 10, 2015
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This post is the first of 17 in an ambitious series examining the traditions and realities of classical piano concertos influenced by jazz.

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February Short Fuses — Materia Critica

February 1, 2025
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Each month, our arts critics — music, book, theater, dance, television, film, and visual arts — fire off a few brief reviews.

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Coming Attractions: September 8 through 24 — What Will Light Your Fire

September 6, 2019
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Arts Fuse critics select the best in film, dance, visual art, theater, music, and author events for the coming weeks.

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October Short Fuses – Materia Critica

October 4, 2022
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Each month, our arts critics — music, book, theater, dance, television, film, and visual arts — fire off a few brief reviews.

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Coming Attractions: April 7 through 23 — What Will Light Your Fire

April 7, 2019
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Arts Fuse critics select the best in film, dance, visual art, theater, music, and author events for the coming weeks.

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Fuse Coming Attractions: What Will Light Your Fire This Week

February 8, 2015
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Arts Fuse critics select the best in music, film, dance, author events, and theater for the coming week.

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Concert Review: Boston Lyric Opera’s “Le Nozze di Figaro”

May 7, 2017
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By opting to set Figaro as a straight comedy, Cucchi’s production glossed over the opera’s subversive edge.

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