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As the age of COVID-19 wanes, Arts Fuse critics have come up with a guide to film, dance, visual art, theater, and music. Please check with venues about whether the event is available by streaming or is in person. More offerings will be added as they come in.
Read MoreWhat the few of us in Jordan Hall heard that night was a richly conceived and beautifully performed song cycle, mostly serious, but with some great wit in exactly the right places. It made for a fascinating and enlightening contrast to the CD version of “Vespers,” which Steve Lacy recorded in 1993.
Read MoreArts Fuse critics select the best in film, theater, dance, music, visual arts, and author events for the coming week.
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Arts Fuse critics select the best in film, dance, visual art, theater, music, and author events for the coming weeks.
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2018 saw the release of four ambitious and powerful jazz releases driven by poetic texts.
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New recordings of Peter Schmoll and His Neighbors and of Euryanthe pose an embarrassing question: why is the opera repertory so narrow?
Read MoreHonesty is Best Policy Disclosure: I was in the hall to hear Mostly Other People Do the Killing. I’d heard the band on CD, and I knew that the only way I could appreciate them fully was to attend a performance.
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Each of these four projects requires deep attention from a listener. Only two of them repay that attention with the musical rewards that bring a listener (this listener, at least) back for rehearings.
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Each month, our arts critics — music, book, theater, dance, television, film, and visual arts — fire off a few brief reviews.
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Jazz Commentary: Three More Recent Composer-Driven Jazz Releases — Stretching the Boundaries of the “Conventional”
These projects are more conventionally jazzish in their sounds than the four in the companion post, but that does not make their ambitions less worthwhile or less adventurous.
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