Search Results: BUH-BYES
It seems every year the quality of feature films, especially those from mainstream studios, is getting worse, while that of documentaries is getting better.
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In any form, any format, anytime and any place, the presence of Russ Gershon is an imprimatur of exciting, eclectic, and innovative music.
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Joshua Sobol isn’t interested in exploring dramatic possibilities but making sure his equation about the inevitable mechanics of violence works out.
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The Lost King contains perhaps too many calculated moments of sentimental synchronicity. Still, it manages to soar, thanks to the excellent performance of its lead, Sally Hawkins.
Read MoreThe humor of Toole’s novel, its enjoyment of puncturing surfaces and pretensions, has been reduced to punch-line humor and one-liners.
Read MoreArts Fuse critics select the best in music, film, dance, author events, and theater for the coming week.
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In our intersectional age, the stories of the fools of Chelm belong on the shelves of any child with a taste for the ridiculous and — with the clarity of kids — an ability to see through self-delusion.
Read MoreItalian writer Niccolò Ammaniti usually writes with an unadorned style about moral predicaments of the young in small-town Italy. “Me and You,” a slender effort in all respects, covers this ground as well, with the difference that fourteen-year-old protagonist Lorenzo Cumi is from an affluent Roman family.
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Pianist Yeol Eum Son is more than up to the demands of J.S. Bach and Maurice Ravel; violinist Bomsori brings exquisite balances and shimmering sonority to Bruch and Korngold.
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Chicago singer-songwriter and pianist Neal Francis has been riding a smooth retro groove since the late 2010s, thanks to his stellar fusion of funk, soul, R&B, and psychedelic rock.
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