Search Results: BUH-BYES

Theater Review: Actors’ Shakespeare Project Mounts a Memorable “Cherry Orchard”

February 16, 2014
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Director Melia Bensussen handles the dialogue skillfully, but she also has an eye for creating vivid stage pictures which reinforce Chekhov’s dramatic themes.

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Book Review: “Shooting Midnight Cowboy” — A Very Good Read

May 14, 2021
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What motivated me to read this book? Not for a special love of Midnight Cowboy, a movie which I like but isn’t ultimately important to me. It was to learn about James Leo Herlihy, who has interested me since I was an adolescent.

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Jazz Commentary: Survival of a Scene in Boston

April 21, 2018
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Local music venues — especially those with “off” music like jazz — are caught in a vice, with real estate escalation on one side and corporate-dominated digital technology on the other.

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Film Review: “High-Rise” — Concrete Meltdown

May 13, 2016
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High-Rise‘s urban apocalypse is laid on thick. One wishes for a modern existence that is not quite so alienating.

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TV Review: “Mad Men” Finale — Read the Art?

May 19, 2015
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My conclusion is that Mad Men is abstract, like some of the art in the series.

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Theater Review: Happy Medium Theatre’s “Dying City” — Inventive Intimacy

June 25, 2015
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Happy Medium Theatre’s powerful production is a testament to how the artists in our area are triumphing over the economic adversity.

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CD Reviews: Ghost Train Orchestra’s Book of Rhapsodies, Vol. II” and Jane Ira Bloom’s “Wild Lines: Improvising Emily Dickinson” – Second Thoughts

October 5, 2017
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In two new releases, Jane Ira Bloom and Brian Carpenter complete their work on self-defined projects that are tonics for a time of trouble.

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Film Review: “Make Me Famous” – In Search of Edward Brezinski

March 5, 2024
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“Make Me Famous” is not the portrait of a superstar like Jean-Michel Basquiat or Keith Haring; this protagonist is representative of the everyday angst, the struggle, the not-making-it, and the work that was produced regardless.

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Theater Review: “Come Back, Little Sheba” — The Poignance of Repression

April 11, 2015
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The beauty of David Cromer’s production of Come Back, Little Sheba that by focusing on the play’s intense psychological undercurrents he minimizes its cultural mustiness.

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Concert Review: Odyssey Opera’s Inspired Production of Dvořák’s “Dimitrij”

September 19, 2016
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For my money, the biggest star on Friday night turned out to be none other than Antonin Dvořák.

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