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David Lynch’s Inland Empire is a provocative challenge to filmmaking as a medium of visual storytelling that’s largely gone unmatched in the sixteen years since its initial release.
Read MorePerhaps unintentionally, the show is a moral fable on the nature of true achievement: Milton Avery’s steady progress on his own path stands out in this age of online influences and the rabid pursuit of instant fame and material success.
Read MoreImagine a combination of Stephen Colbert (the real one, that is) and John Updike.
Read MoreHaving long gotten “the short end of the stick,” Sex Pistols founding member Steve Jones decided to write his autobiography.
Read MoreFilm Interview: No Jumping to Conclusions in ‘Sunshine Superman” — Talking to Director Marah Strauch
Marah Strauch’s documentary tries to fathom Carl Boenish’s motive for taking his last leap.
Read MoreBy Gary Schwartz One in so many Western works of art contains an image of a person we would call black. The phenomenon attracts relatively little attention in art history. The Menil Foundation went after it seriously, in a project now inherited by the Warburg Institute. An exhibition in the Nieuwe Kerk in Amsterdam offers…
Read More2018 saw the release of four ambitious and powerful jazz releases driven by poetic texts.
Read MoreThis is an important and timely book, one that happens to be compulsively readable and that anyone even mildly interested in the intersection between religion and politics, faith and science, or religious commandment and secular law should read.
Read MoreAn Arts Fuse regular feature: the arts on stamps of the world.
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Classical Music Review/Commentary: BSO / Pianist Kirill Gerstein – Whose America?
The BSO’s Americana concert could only provide four beautiful snapshots of a very complicated landscape.
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