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Theater Review: New Rep’s “Good” — Disturbing rather than Devastating

October 15, 2016
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The New Rep production is polished, surprising, and certainly hard-hitting.

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Book Review: “Folk Music — A Bob Dylan Biography in Seven Songs”

November 3, 2022
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At points Greil Marcus’ digressive style can seem like nervy brilliance, at others, idle whimsy. What ennobles the book is the critic’s love for his underlying subject: the soulful search for a truer America.

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Book Review: “Life Isn’t Everything: Mike Nichols, as remembered by 150 of his Closest Friends” — A Frothy, Gossip-filled Bauble

December 4, 2019
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If you are a fan of Mike Nichols’ large and elegant body of work, you’ll regret as I did that the authors did not take the time to create the kind of book he deserved.

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Jazz CD Review: Dexter Gordon and Woody Shaw — From Out of the Past

October 24, 2018
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These albums, featuring Woody Shaw and Dexter Gordon, are illuminating to listen to side by side.

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Book Review: “The Silence” — Brusque Prophecy

November 7, 2020
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Many Don DeLillo fans will overlook this novella’s somewhat stilted dialogue and perfunctory erotic scenes for the sake of another taste of his dark and knowing world.

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Jazz Feature: Pianist Jason Moran Repays It Forward

February 15, 2012
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From James P. Johnson to Thelonious Monk to Jason Moran, inspired mentors carry the past into the future.

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Book Review: “Foreverland” — Bound Until Death

March 4, 2022
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Here’s to Heather and Bill, and this lively saga…

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Film Review: “The Fall of the American Empire” — Corporate Cant versus Socialist Kant

June 12, 2019
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For all its bite, Fall is oddly endearing, too, leavening its harsh portrait of money-madness with aw-shucks moments of solidarity and kindness.

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Jazz Album Review: “Mingus in Argentina” — An Unexpected Gift

April 19, 2025
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I must confess to hearing some of the Buenos Aires recordings on bootleg LPs, though their sound quality pales in comparison to this Resonance release.

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Book Review: “How Literature Saved My Life” — Maybe

February 1, 2013
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Notwithstanding all that David Shields writes about the books and authors he loves, both classic and contemporary, he announces that today he can’t bear to write or read novels or even short stories in their old familiar forms and structures.

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