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“The Endless Week” is a brave, uneven, at times brilliant swathe of prose. Experimental? For certain. Perhaps the only way to write an Internet novel is by looking from the inside out.
Read MoreBoston Ballet’s reconstructed versions of Yakobson’s Pas de Quatre and four Choreographic Miniatures were a revelation.
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All in all, this is a crisp, entertaining, and, so far as I can see, an accurate account of the last acts in Henri Matisse’s career.
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Because NYFF’s “Revivals” supplement showcases new restorations, the expectation is that these movies, including art films from around the world, should become more widely available down the road.
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Too often, “Lioness” reads like a digest of Boston tourist guides and historical surveys, at times even seeming to quote them directly.
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The play eventually packs a wallop, but it drags its feet at the start.
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Guitarist Eddie Condon quotes a mobster on jazz: “…it’s got guts and it don’t make you slobber.”
Read MoreOne of my favorite quotes from Gil Evans is, “Quit playing what you think I want you to play!”
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In her search for John Lennon, the author follows her fancy and picks and chooses which rocks she wants to look under, all the while giving herself the space to wax poetic on whatever theme moves her. It’s an appealing approach. Too bad then that the book is a let down.
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This week’s poem: DeWitt Henry’s “From the Horse’s Mouth”
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