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The music was loud, the dancers laughing and sweating and clearly happy to be liberated from their cabin-fever inducing confines to let loose and have some fun.
There’s much in “La Pasión” to like. Composer Osvaldo Golijov’s use of Latin and South American musical forms has been well documented: the piece offers a striking compendium of idioms covering a huge geographical range.
John Tiffany’s Tony-winning direction of “Once,” restaged for the current tour, is a miracle of judicious rhythmic choices and deft transitions.
Using her family’s history as a springboard, Julia Franck has created exemplary figures forced to navigate the treacherous shoals of her country’s history.
This week’s show found both acts — Leon Russell and Hot Tuna — kicking—with huskier voices and slower tempos, to be sure.
“Venus in Fur” could be best described as cheeky rather than kinky, more of a talky intellectual exercise than a zesty exploration of the allure of sexual domination and submission.
Arts Fuse critics select the best in dance, music, film, and theater that’s coming up this week.
Few artists in history have been as multifarious and prolific as Paul Klee – only Picasso and Ernst come to mind.
An annual gathering of superb new animation from around the world. This year’s standouts include “Oh Willy…” from Belgium and “Virtuoso Virtual” from Germany.
Classical Music Commentary: What’s Next for the Boston Symphony? — Lessons from the Past