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Ronan Noone’s allegedly frisky sex farce is bloodless.
Peter Gizzi is a master at allowing his poetic language to summon its own range of meanings, rather than blatantly declaring them to the reader.
MOMIX proffers something for everyone: acrobatics, dance, theatre, and delightful visual deception.
Arts Fuse critics select the best in film, theater, music, dance, visual arts, and author events for the coming week.
The Grand Parade is a truly sumptuous feast of imagination, color, emotion and movement; a uniquely dramatic way of interpreting our history as a torrent of events presented without judgment.
The three choreographers used the streams of sound as an opportunity to provide floods of movement challenges to the terrific dancers of the company.
Lambert & Stamp will resonate with musicians who have experienced the volatile give-and-take that is needed to sustain and nurture a rock and roll band.
The Whole World focuses on the incoherence that lurks underneath the empowering narratives we tell about ourselves.
I’ve served on several dozen film juries about the globe in the last three decades. I can’t recall ever having a choice of so many splendid films from which to award a grand prize.
Music Commentary Series: Jazz and the Piano Concerto — The Straddlers, Part One
Time to look at the maverick mavericks, composers with feet firmly planted on either side of the dividing line between jazz and classical.
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