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À la Vie, screening as part of the 18th Annual Jewish Film Festival, is easily the best film I have seen so far this year.
Read MoreA cursory scan of audience reviews on the Ticketmaster website suggests that Rundgren’s current tour was disappointing his fans on a scale probably not seen in rock music since Bob Dylan went to England in 1966.
Read MoreRadius Ensemble’s final performance of the season touched on examples of musical fantasy, worldly angst, and spiritual transcendence.
Read MoreNot everybody loves the documentary Last Days in Vietnam. Director Rory Kennedy responds to some of the criticism.
Read MoreI wondered why the Elders Ensemble program so consistently portrayed the elders as somber and withdrawn.
Read MoreBoth of these entries in Jewishfilm 2015 have their entertaining moments, but the movies ultimately fail to deliver.
Read MoreRonan Noone’s allegedly frisky sex farce is bloodless.
Read MorePeter Gizzi is a master at allowing his poetic language to summon its own range of meanings, rather than blatantly declaring them to the reader.
Read MoreTime to look at the maverick mavericks, composers with feet firmly planted on either side of the dividing line between jazz and classical.
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Fuse Commentary: Five Minutes With NEA Chairman Jane Chu
God speed Chairman Chu on her mission to make the fine arts less marginalized in a determinedly bottom line culture, obsessed with the pragmatic rather than the imaginative.
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