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Classical CD Reviews: Leonard Bernstein’s Complete “Piano Music” and Seong-Jin Cho’s “Debussy”

November 29, 2017
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Leann Osterkamp’s playing is rhythmically alive and sympathetic to Leonard Bernstein’s style; Seong-Jin Cho shows that he is an important pianist to watch.

The Arts on Stamps of the World — November 29

November 29, 2017
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An Arts Fuse regular feature: the arts on stamps of the world.

Stage Commentary: “The Boston Globe” to Boston Theater — Drop Dead?

November 28, 2017
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Critics were once seen as the ‘canaries in the mineshaft’ — now newspapers and magazines are closing down the mines.

Concert Review: Boston Philharmonic Youth Orchestra at Symphony Hall

November 28, 2017
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The BPYO is as responsive, confident, technically skilled, and emotionally expressive an orchestra as they come.

The Arts on Stamps of the World — November 28

November 28, 2017
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An Arts Fuse regular feature: the arts on stamps of the world.

Film Review: “God’s Own Country” — Love on the Dales

November 27, 2017
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I enjoyed God’s Own Country for its realistic style and its unflinching vision of intimacy.

Theater Review: Israeli Stage’s “The Hearing” — Academic Freedom, Under Pressure

November 27, 2017
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Scripts like The Hearing also provide an optic through which to examine our own nation’s problems.

The Arts on Stamps of the World — November 27

November 27, 2017
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An Arts Fuse regular feature: the arts on stamps of the world.

Music Feature: Hot Tuna — No Time for Nostalgia

November 26, 2017
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“The acoustic duo shows are on the edge. It’s stripped pretty naked. It’s as if we were just playing in your living room.”

The Arts on Stamps of the World — November 26

November 26, 2017
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An Arts Fuse regular feature: the arts on stamps of the world.

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