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“Everything about the Holocaust already seems so thoroughly unreal, as if it no longer belongs to the experience of our generation, but to mythology…”
William Gass’s primal loyalty was to the words composing his texts.
Steven Spielberg’s political timing is nearly perfect, and so is his film.
Stanley Sagov never wants to play a piece the same way twice. He’s always engaged in a “search for freshness.”
What has Black Mirror been good for, beyond entertainment, if not drawing our attention to escalating social and technological perils?
Brian Blade is not only a skillfully discreet: he can be as powerful as any drummer since Elvin Jones.
Perhaps the theatre of millennials will resemble Reality TV, resistant to suggestive metaphor and the rewards of complex narration.
Arts Fuse critics select the best in film, dance, visual arts, theater, music, and author events for the coming weeks.
I miss the precocious, mischievous, darkly cunning, and troubled characters Gary Oldman once portrayed so beautifully.
Commentary: #MeToo and Dethroning Rock Deities
We have the obligation to look behind the music and the culture that glorified and perpetuated it.
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