Posts
Despite my complaints, Allegiance is affecting – almost frustratingly so.
There’s something Shakespearian about the grasp of Philip Roth’s fiction.
Tony Zierra’s film is a worthy and interesting one, but I admit to becoming worn down by the endless litany of unglamorous ways that protagonist Leon Vitali worked his butt off for the genius filmmaker.
Let the Sunshine In is French filmmaker Claire Denis’s one-note ode to the power of love even when, in this case, love stinks like dead fish.
Roberta Silman’s engaging and deeply felt novel is a reminder of what it means to carry a historical burden on both a personal and national level.
Singer Allan Harris clearly loves Eddie Jefferson’s music and performs it with sincerity and chops.
Director Ellie Heyman and her talented cast have their hands full with this new work because it is, in some ways, a tale of two musicals.
Joshua Sobol isn’t interested in exploring dramatic possibilities but making sure his equation about the inevitable mechanics of violence works out.
Writer-director Michael Pearce’s debut feature is self-assured and finely-wrought.
Theater Commentary: The Boston Theatre Critics Association — Wasting Its Time
Recommended hashtags for the Boston Theatre Critics Association: #MeTooGiveMeTime, #MeTooNotYet
Read More about Theater Commentary: The Boston Theatre Critics Association — Wasting Its Time