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Red Sparrow isn’t great in any way, but, at two hours and twenty minutes, we do get our money’s worth of old-school genre entertainment.
Read MoreJazz singer Mark Murphy was just too much for most audiences during that period; too intense, too varied, too unpredictable.
Read MoreWe were reminded of how difficult it is to create an evening-length’s choreography without a storyline, musical structure, or a well-developed concept
Read MoreIt would have been wonderful to have seen either a faithful version of Threepenny Opera in German or a boldly conceived contemporary version.
Read MoreIt is, clearly, a crafty Beethoven remix and the ways John Adams assimilates the older composer’s language into his latest style are fascinating.
Read MoreThis performance was far more than special and crazily beautiful — it was extraordinary.
Read MoreIndo-Pak Coalition’s energized music and performance somehow manages to square the circle — it is as engaging as it is songful and intelligent.
Read MoreKelley Donovan believes every dancer should own her movement, not just perform it.
Read MoreJust about every aspect of Loveless is executed perfectly.
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Classical Music Commentary: Boston Symphony Orchestra’s 2018-19 Season Announcement
The BSO seems to have taken to heart complaints about its lack of programming diversity, devoting two full programs to underrepresented groups.
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