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Sometimes Pharoah Sanders came back and played like a primordial saxophone deity, cutting into the rhythm section like an act of penetration.
Everyone should avail themselves of such opportunities for inter-generational collaboration.
Why has Bernard Weinraub chosen this secretive chapter of Miller’s life as fodder for his play?
The players are striking out into the unknown: you may find the journey inspiring and you may sometimes find yourself lost in the woods.
Albert Camus brings a bracing response to thinking about the worse that is missing in so many of our current dystopias.
If you want to understand what is going on in the United States today, journalist Sarah Kendzior is a good resource.
Schutt’s is an example of the kind of fiction that is being taken seriously in too many quarters in this new century, but that is not nearly good enough.
Despite its grand intentions, Atomos is essentially an abstract work that springs from Wayne McGregor’s obvious passion for full-throttle movement.
We built this form of democracy and now we must stand up to what it’s become and say “I don’t consent to this.”
Precious few independent online arts publications make it to double digits. Please give us the resources we need to persevere at an essential cultural task.
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