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The moral of Jen Silverman’s yarn is straightforward enough: we are in a country where self-transformation has become an end in itself, re-invention a default response to omnipresent banality.
Journalist Ian Nathan presents Peter Jackson’s trials in bringing Tolkien’s books to film as if he was writing a spy thriller.
The volume is devoted to print ads and event flyers for local eateries, concert venues, theaters, stores, and community events that were printed in the ’60s, ’70s and ’80s.
Aside from his seemingly effortless technique, Roustem Saïtkoulov struck me as a poet of the piano. Music seems to be his first language.
In Washington Black novelist Esi Edugyan has defied the cliché of the escaped slave discovering freedom.
The film captures everything I love about Queen — the outrageousness, the audacity, the bigness of it all.
This is a sublime little film — an elegantly cross-stitched portrait of an all-American family fracturing under the weight of broken dreams and false promises.
Hub Theatre Company’s production bursts with energy, staged with a clear-minded sense of movement and a hand-made quality that generates ample charm and whimsy.
Mother Butterfly’s script shows genuine promise, but the Storm Warnings Repertory Theatre’s premiere production falls short.
Culture Watch: George Soros — Foe of Illiberal Democracy
Now George Soros is mostly known as favored target of the right, more onerous to it, it seems, than even — Lock Her Up! — Hillary Clinton.
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