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“We know what we are, but know not what we may be.” –- Hamlet
The dance revolution of the 1960s and 70s seems to be making a comeback as dancers think about making their performances less artificial, more “natural.”
This year has brought a bumper crop of wonderful recordings of unusual operas — and one unusual recording of a repertory staple: Gounod’s Faust.
Pianist Kris Davis’s Diatom Ribbons and the multi-disc set Nat King Cole’s Hittin’ the Ramp: The Early Years (1936-43) are among the albums that made more than one list.
Dark Waters may not be Todd Haynes’ most beautiful film, but it may yet prove to be among his most important.
Even with my caveats, A Hidden Life raises filmmaking to heights that will thrill Terrence Malick fans.
Help us continue to go where other arts magazines fear to tread, recognizing under-appreciated classical music, jazz, and dance performances.
This is a carefully-researched book of far more than academic interest.
One of Donizetti’s strongest and most original works, has finally been reconstructed and recorded by superb forces under the remarkable Mark Elder.
Book Review: “The Conservative Sensibility” — A Plea for a Return to Normalcy
The very people that George Will is trying to appeal to are evidently quite happy to be drunk on the power that their brutishness has created.
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