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How to avoid going stir-crazy: burrow into the thousands of films available to watch on your computer, most of them free or practically free.
Read MoreVibrant, independent theater in Boston and throughout New England will not be sustained if the demolition starts at the bottom and moves up.
Read MoreIn Rock Bottom Rhapsody, Pokey LaFarge shows us where all America’s prophetic manias must lead: collapse.
Read MoreVideo essays have been characterized as “the articulation of thought in audiovisual form.”
Read MoreMrs. America is well written and beautifully acted (generally), but its real power stems less from its entertainment value than in how it reveals how little has changed for women since the ’70s.
Read MoreRenowned singer and actress Annie Ross is urgently in need of financial assistance to pay for home care during this pandemic.
Read MoreSinger Leslie Beukelman has a lot going for her, including her time, the quality of her voice, her control of improvisation, and her capacity to reach deeply into a ballad.
Read MoreBlood Sugar Rising deals with difficult subject matter, but steel yourself to view this engaging and educational look at a growing public health crisis.
Read MoreNot only is Fetch the Bolt Cutters the most stunning of Apple’s five albums, it’s the most impressive pop record of this young pandemic year, its bottled turmoil speaking to our own pent-up nerves.
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Dance Commentary: Paul Taylor — Now You See It, Virtually
I’ve always believed that dance has a literature, much like music or drama. Dance’s literature consists of both ideas (choreography) and the execution of ideas (performance).
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