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You may not know what you’re feeling or what to think about what you’ve seen afterward. This is a rare experience in cinema to be savored, or at the very least highly valued.
In wrapping up Fantasia, I focused on The Five Rules of Success, Come True, and The Dark and the Wicked, three ambitious genre titles that have stuck with me long since their credits rolled.
The stories in And Go Like This are wise, compassionate, and deftly crafted.
Iridescence is a masterful set, with none of the tentative feeling …he bipped when he should have bopped …that sometimes afflicts free jazz outings.
This thoughtful study offers a worthwhile critical perspective on Werner Herzog, one of the world’s great living film artists.
Author Ethan Mordden serves up plenty of entertaining yarns, sometimes as exaggerated as the genre to which they pay homage.
Aside from making generalities about “making good photographs” and “earning a living,” celebrated photographer Elliott Erwitt steadfastly refuses to be drawn out.
Some of the most insightful and moving parts of the biography are Neeli Cherkovski’s personal recounting of his on-again off again relationship with Charles Bukowski.
This terrific performance was the grand finale from a beloved dance festival doing its best under enormous pressure.
Visitors (of all ages?) were invited to drink copious amounts of liquor and possibly get laid. This was as close to Pinnochio‘s Pleasure Island as they were ever going to get.
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