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Museums, now reopened in New York, are trying to coax visitors into their galleries. With two exhibitions, it’s working.
The Sri Lankan rapper’s outspoken support for refugees — the focus of her 2016 album — remains relevant as the United States and the rest of the world continue to grapple with immigration reform.
This is a dazzling debut by filmmaker Rose Glass, who has made a powerful film that is grounded, first and foremost, in the monstrousness of daily living.
Few bands have shown themselves to be as infectious about their art — and for so long.
Considering the show’s uneven writing, there’s no certainty that Genera+ion will last longer than a viral TikTok video.
The conversation between Ravi and his mother is funny, engaging, and often illuminating; their real life bond is palpable as the pair try to reconcile the young man’s hopes and dreams with his Indian heritage.
These two performances showcase a group of instrumentalists whose collective musicianship is electrifying: full of just the right combination of wonder, play, and discovery this much-loved repertoire needs in order to sound fresh and truly come to life.
I have only one criticism of André Gregory’s fabulously entertaining book: I wish it was twice as long, or even three times its 208 pages.
Radiating a shaman-like mysteriousness, Maria Schneider prowled the performance space, calling forth dark twists and turns from the collective while summoning anguished expressions from the soloist.
Arts Remembrance: Homage to Dorothy Boudreau — Farewell, My Lovely
Dorothy Boudreau believed in the necessity of culture, and she was as erudite as she was unpretentious.
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