Posts
No Time to Die could only be a product of the Trump era.
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This eye-opening collection of photo-essays, essays, and interviews offers a kaleidoscopic view of a subject that is too often hidden, treated as a private concern rather than one of vital public interest.
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Major works for saxophone in world-premiere recordings featuring virtuoso Paul Cohen and his brilliant colleagues.
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Once celebrated, but now largely forgotten, novelist and short story writer Nelson Algren deserves the attention given to him in a wide-ranging documentary.
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Energizing, joyful, expert, close to sure-fire, Chasing Magic was a great choice to reopen A.R.T. after the long pandemic shutdown.
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Wild Horses is a sort of hybrid of familiar coming-of-age stories: Little Women meets Summer of ’42, with a dollop of Stand By Me tossed in for intrigue.
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The talent at Club Passim’s Nanci Griffith night represented at least two generations: it was a nice, low-key salute to the singer/songwriter, who played the venue often in the mid-’80s.
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A packed, wide-ranging conversation with violinist Anne-Sophie Mutter that touches on several subjects, from a lifelong love of jazz to her verdict on John Williams’ Violin Concerto no. 2.
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Are Boston’s stage critics disengaged from reality? Or is it that they are afraid to speak up?
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Arts Commentary: It’s OK to Like Board Games, Even the Bad Ones
These cheesy board games were repetitive and horrible and I loved every one of them.
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