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Book Review: “The Wrong End of the Telescope” — A Stunning Achievement

November 8, 2021
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This is a wonderful novel about a pressing humanitarian subject, Syrian refugees and the people who helped, as well as an exploration of identity and loss and triumph.

Jazz Album Review: Adam O’Farrill’s “Visions of Your Other” — Humanizing the Mechanical

November 8, 2021
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I find Visions of Your Other exciting. It is beautifully recorded: these are four musicians who care about their sound.

Rock Preview: The Welcome Return of The Slip

November 8, 2021
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It seems the right time for The Slip to answer the perennial calls for a reunion.

Film Review: “The Electrical Life of Louis Wain” — Do Englishmen Dream of Electric Cats? One Did.

November 7, 2021
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This wholly original period piece crackles with energy, humor, and pathos.

Book Review: “Mr. Beethoven” — Alternative Musical History

November 7, 2021
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Beethoven never left Europe. But he could have. And the possibility that he might have visited Boston is the basis of Paul Griffiths’ touching, witty, and thought-provoking new novel.

Theater Review: “Macbeth in Stride” — Lady Macbeth Sings the Blues? Not Really

November 6, 2021
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As sure as “the crow/Makes wing to the rooky wood,” Mrs. Macbeth is going to fall tragically short when it comes to being an inspirational role model for marginalized females everywhere.

Opera Album Review: The Great Polish National Opera “Halka” Gets a Spirited and Shapely New Recording

November 6, 2021
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Halka struts its stuff, impressively, in this new recording with an all-Polish cast conducted by internationally renowned Gabriel Chmura.

Theater Review: “BLKS” — Fun, Heartbreaking, and Thought-Provoking

November 5, 2021
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BLKS is a bouncing, romping, profanity-laced, and sex-filled roller coaster — but it also has an important message for those who are not Black femme sisters

Classical Album Review: Manfred Honeck Conducts Brahms and MacMillan

November 5, 2021
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Manfred Honeck and the Pittsburgh Symphony have ways of digging into the music and providing new perspectives on it such that their recordings are, by and large, can’t-miss events.

Classical Concert Review: New England Conservatory Philharmonia’s “Making Choices”

November 5, 2021
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May the Boston Symphony – which just concluded its annual weekend celebrating the music of Black composers by shunting them off on their own, away from Rachmaninoff, Strauss, Beethoven, and Friends – take note: this is how it should be done.

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