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Léa Seydoux claims the spotlight as the title character in Bruno Dumont’s pithy and entertaining France, giving a performance that’s cunningly calibrated to mesmerize.
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If you’re looking for instrumental music that grapples with tumultuous events, times, and circumstances, this may well be the disc for you.
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The brilliant Drive My Car is about many things, but at its core the film is an exploration of loss.
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As the age of Covid-19 wanes (or waxes?), Arts Fuse critics supply a guide to film, dance, visual art, theater, and music. Please check with venues about whether the event is available by streaming or is in person. More offerings will be added as they come in.
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With Michael Nesmith’s passing, Boomers of a certain age feel another piece of their youth disappearing.
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Netflix may have yet to create an animated hit on the scale of Frozen, but this entry in the sweepstakes suggests that the streaming platform is moving closer towards that goal.
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“Concord was actually surprisingly representative of Massachusetts, New England, and maybe even the North in the 19th century. In learning about Concord, you learn about the making of modern America.”
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Licorice Pizza, director Paul Thomas Anderson’s ninth feature film, proves that he is a purveyor of cinematic joy.
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Steven Spielberg’s West Side Story is fairly entertaining, fairly decent, but that’s about it.
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Rather disappointingly, but perhaps not surprisingly, the expressions of lesbian eroticism in Benedetta are very obviously depicted for the male gaze.
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