Posts
Three looks at love that may help generate some interesting conversations about what love means in the lives of children.
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Kirsten Greenidge’s epic comic drama is a spot-on examination of the challenges changing times pose to evolving families.
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The Survivor examines what happens to someone who made the decision to survive in Auschwitz — no matter how.
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The Northman is grounded in a manically precise capture of the Nordic world of the 9th century AD, but refracted through the lens of a whacked-out visionary in a spew of eye-popping images.
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The emphasis isn’t on gratuitous sensuality: Gentleman Jack’s throes of passion are designed to reveal more about the psychological makeup of its characters.
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Considering his loopy career and also his bumpy off-screen life, Nicolas Cage seems neither ashamed nor apologetic about how it’s all gone down.
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It is invaluable for the world to have an in-depth account from someone who passed through the Xinjiang re-education system and was brave enough to tell the tale.
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Live in Paris: The Radio France Recordings 1983-1984 is an example of solid, appealing late Chet Baker, doing what he did best with standards and the occasional original.
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Russian Doll’s script still crackles with dark, cynical hilarity, and New York is still the gritty, gorgeous backdrop, the city where, clearly, anything can happen.
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Arts Remembrance: Homage to Gilbert Gottfried — One of America’s Most Original Stand-ups
Comedian Gilbert Gottfried’s passing has hit me harder than most deaths of my celebrity faves: it’s a deprivation I can feel in my stomach.
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