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Two stirring dramas hit Broadway, one weightier than the next
“Samuel Beckett’s work speaks to me because he’s a very visceral writer. And, because I have training as a clown, I think of him as a natural clown.”
Yes, an ingeniously kaleidoscopic surface, but is there anything here, in terms of motivation, to justify all the fuss?
Two over-the-top social satires take sharp swipes at modern excesses.
These are compelling stories about the trials and tribulations of dynamic, working-class characters.
Whatever the Supreme Court determines will alter the world of artists, writers, and musicians for decades to come, a world that has already been dealt a financial blow by the economic pressures of the internet.
Chant For Our Planet is a great recording full of exciting ensemble playing, with lots of tasty solos and, if you want to listen in that way, an important theme that expresses deep concern for the state of our environment.
Every few years a smart teen rom-com comes along that deftly puts a modern, and pleasingly iconoclastic, spin on a classic piece of literature.
Surprisingly, for a band whose hypnotic music throughout the documentary provides a continuum with menacing and meditative extremes that mesh with near-mathematical discipline, it’s the human elements that leave the greatest impressions..
Classical Critic’s Notebook: Sergei Rachmaninoff’s Symphony No. 2
Whatever Rachmaninoff’s conflicted feelings about writing symphonies were, there’s nothing ambiguous about the content of his Second Symphony. From start to finish, it’s a marvel of melodic freshness and brilliant instrumentation.
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