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The advantage to listening to the recorded Unstuck in Time: The Kurt Vonnegut Suite is that on disc pianist Jason Yeager writes beautifully for septet: the textures he evokes in his arrangements are curiously varied and invariably moving.
Vince Guaraldi isn’t the heaviest of jazz pianists: he played at a time when McCoy Tyner and Bill Evans were omnipresent. But his tunes, his gently humanist approach to music, meant that he reached listeners that others couldn’t or didn’t.
Black Panther: Wakanda Forever is miraculous, in that it’s a Marvel movie that doesn’t come across as a link of sausage plopped wetly out of the Disney grinder.
“A lot of people don’t know about this fire today. It’s not really well-known as part of the city’s history.”
Revelations continue: a composer best known for his sonatas and concertos (the Four Seasons) is a master of vocal music as well.
Sometimes works that major artists withheld — like songs that are not deemed worthy of release —are best kept in the vaults.
Paul Fisher’s back-and-forth tease about John Singer Sargent’s sexuality starts out as intriguing, then becomes distracting, and finally irritating as the biographer never quite closes in on his targets.
The Boston Artists Ensemble found the tenderness and understated grace of Robert Schumann’s Piano Trio No. 2.
A.R.T Artistic Director Diane Paulus and Jeffrey L. Page are at the helm of this well-meaning but irritating revival.
Book Review: “Realigners” — Stuck in the Middle
In the end, the historical cavalcade Timothy Shenk presents doesn’t tell us much about how America ended up in such straits or how it will pull out of them, if at all.
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