Posts
For people who grew up on his music in the ’60s and ’70s, David Crosby’s passing, especially on the heels of Jeff Beck’s death last week, is tough to take.
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Reviews of the cogent and well-crafted The Big Payback, the comprehensive if conventional Zora Neale Hurston: Claiming a Space, and No Straight Lines: The Rise of Queer Comics, which expertly balances whimsy and gravity, though the version of the film shown by PBS has been heavily censored.
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Sarah Polley’s essay on sexual assault by itself is worth the price of the book, essential reading for anyone interested in the physical and psychological after-effects of violence against women.
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The Big Payback doesn’t exhibit a clear slant either way: it simply tells the tale of how a bill asking for reparations came to be, along the way highlighting how past injustice shapes present inequities.
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I’m going to try out a new format in 2023. Along with posting longer reviews of single series, I will also be experimenting with a new (weekly!) format where I include several features in one column.
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This trio of beautifully-illustrated children’s books offer journeys into science that rival science fiction.
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George Takei’s musical, Allegiance, projects American democracy as it might have become.
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As the age of Covid-19 more or less wanes, Arts Fuse critics supply a guide to film, dance, visual art, theater, author readings, and music. More offerings will be added as they come in.
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M3GAN is a movie algorithmically generated to spawn as many memes about itself as possible before undiscerning viewers realize what they’re watching is a reworked Black Mirror draft.
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Arts Commentary: We Will Have to Eat Our Spinach — And Like It
Given that the Climate Emergency will grow more challenging over time, we (including literary novelists) shouldn’t be so cavalier about not eating our spinach.
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