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Classical Album Review: Daniel Barenboim conducts Schumann

January 28, 2023
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Even if this isn’t the most interpretively satisfying of Daniel Barenboim’s traversals through this repertoire, it is a deeply revealing one that draws on a lifetime of experience with this music.

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Jazz Concert Review: The Laszlo Gardony Trio at Berklee College of Music

January 28, 2023
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The smallish Friend Recital Hall was an ideal setting for pianist Laszlo Gardony to impose his engaging personality, as well as his musical versatility and power.

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Concert Review: Boston Symphony Orchestra Plays Shostakovich, Brahms, and Mackey

January 27, 2023
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Under the baton of Andris Nelsons, a listless Boston Symphony Orchestra delivered flat renditions of works by Shostakovich and Brahms.

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Book Review: Two Powerful Books from Nobel Laureate Mario Vargas Llosa — A Liberal Citizen of the World

January 27, 2023
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Engagingly written by a limpid stylist, The Call of the Tribe marshals a corps of sparkling intellectuals who have in common first-hand experience of dictatorship, a commitment to individual freedom, a belief in reasonably regulated free-market economies, and a rejection of the political zealotry of religion or the doctrinaire left and right.

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Album Review: The Rich Musical Legacy of Drummer Billy Conway

January 27, 2023
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The late Billy Conway didn’t so much work to make a song sound great as, through his adroit drumming, illuminate the qualities in the tunes that made them great.

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Classical Album Review: “God’s Time” — Guitarist Aaron Larget-Caplan Plays the Music of J. S. Bach

January 26, 2023
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Guitarist Aaron Larget-Caplan new release is arresting for how natural the transcriptions sound: it’s as though they’d been intended for this instrumentation all along.

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Television Review: “Shrinking” — When a Therapist Goes Off the Rails

January 26, 2023
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The bottom line: if you don’t find Jason Segel charming, Shrinking is skippable.

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Classical Album Review: Wadada Leo Smith: String Quartets Nos. 1 – 12, played by the RedKoral Quartet and Guests

January 26, 2023
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Over the past year, I’ve delved into the most significant body of work for string quartet ever written by a composer whose primary identity with the public is as a jazz musician. Here’s how to begin your own encounter with important facets of the work of an artist whose name you ought to know.

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The Boston Festival of Films from Iran returns to the MFA — Beneath The Veil

January 25, 2023
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These films provide a glimpse into the workings of a culture and society increasingly cut off from the rest of the world as well as a taste of a cinema that had once been among the world’s greatest and which may one day be again.

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Poetry Review: Hannah Sullivan’s “Was It For This” — The Harsh Reality of Our Transience

January 24, 2023
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The structure, plot, themes, tone, and diction of Was It For This all combine to consecrate the ordinary alongside the exceptional.

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