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System 6 is an adventurous contemporary ensemble whose music will appeal to lovers of the free jazz movement of the ’60s.
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Finnish-American poet Anselm Hollo’s writing, once contained in forty modest volumes, finally arrives as an eminently enjoyable book of unceasing wonders.
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This week’s poem — Jennifer Jean’s “Wild Orca Family Chased Down by Jet-skiers Wanting Selfies”
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William Friedkin’s “The Exorcist” stands, 50 years on, as a primer on how to lure viewers in with striking, haunting imagery as a prelude to a previously unimaginable cinematic journey.
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Now fifty years old, a venerable landmark, in what ways does hip hop stay put or embrace evolution and change?
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Sunday arguably offered the jazz festival’s most impressive lineup. The star of the day turned out to be singer Samara Joy.
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The David Byrne-Fatboy Slim musical makes its long-awaited Broadway bow. (Well, long-awaited by some…)
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You can’t appreciate Béla Fleck’s virtuosity until you see him up close and live. I left the hall stunned by the two-and-half hour master class in bluegrass innovation.
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A leitmotif of this exhibition underlines Josephine Nivison Hopper’s role in her husband’s emergence as one of the most successful and beloved artists of his generation.
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The 76-year-old Carlos Santana didn’t need to dominate with guitar showmanship to make his two-hour-plus concert fly without any lag in energy and spirit.
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