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Author Interview: Critic Jim Sullivan on 45 Years of Modern Rock Chats & Rants

November 10, 2023
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An interview with veteran rock critic Jim Sullivan, who just dropped “Backstage & Beyond: Volume 2: 45 Years of Modern Rock Chats & Rants” in October.

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Visual Arts Commentary: “Fashioned by Sargent” — The Elephant in the Room

November 9, 2023
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The MFA’s Fashioned by Sargent alludes — only at whisper level — to the fact that many of John Singer Sargent’s clients represent questionable ideals.

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Book Review: “The Scandalous Confessions of Lydia Bennet, Witch” — Jane Austen, Bedeviled

November 9, 2023
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Melinda Taub’s thoroughly enjoyable new novel joins other notable pastiches of Jane Austen’s classic story.

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Book Review: “The Vaster Wilds” — A Powerful Annal of Survival

November 9, 2023
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To these eyes, Lauren Groff’s latest novel is her most accomplished yet.

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Weekly Feature: Poetry at The Arts Fuse

November 9, 2023
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This week’s poem: Anna V. Q. Ross’s “All my poems used to end in sky”

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Theater Review: A “Rocky Horror Show” — Tailored for Gen Z

November 8, 2023
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This “Rocky Horror Show” for the Gen Z set contains (at least potentially) enough flash and zap to successfully put across a new take on a campy cult classic.

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Children’s Book Reviews: Animal Adaptation and Inspiration

November 8, 2023
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Tired of the same old animal books? Here’s a series filled with fascinating facts, large and small, about farm animals, and an inspiring tale of the bees of Notre Dame.

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Jazz Album Review: Hays Street Hart’s “Bridges” — A Beautifully Recorded Group Effort

November 8, 2023
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This is a trio of superb songsters, whose individual lyricisms support each other

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Book Review: “The New Leviathans” — No Way Out?

November 7, 2023
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John Gray’s pessimism is a direct descendant of the cultural pessimism preached by Oswald Spengler, whose best-seller, “The Decline of the West,” played a major role in the growth of fascism in the 1920s and ’30s.

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Book Review: “Normporn” — Yearning for the Impossible Middle

November 7, 2023
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The cultural critic’s wrestling with the compromises that the pleasures of mass culture inevitably demand is heartfelt. In a word, it’s normal.

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