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Opera Album Review: Cyrille Dubois Does French Opera Arias — A Major Release to Treasure

June 3, 2024
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French opera arias, many recorded for the first time, by the enchanting tenor Cyrille Dubois. The vocal treasures here include a stirring 1842 denunciation of slavery in the Caribbean.

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Coming Attractions: June 2 through 17 — What Will Light Your Fire

June 2, 2024
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Our expert critics supply a guide to film, dance, visual art, theater, author readings, and music. More offerings will be added as they come in.

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Jazz Album Review: Charlie Kohlhase’s Explorers Club — An Exemplary “Second Life”

June 2, 2024
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Witty, varied, played warmly and arranged dexterously, avoiding the glum, the explorations on “A Second Life” should please just about every jazz fan.

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June Short Fuses — Materia Critica

June 1, 2024
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Each month, our arts critics — music, book, theater, dance, television, film, and visual arts — fire off a few brief reviews.

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Classical Album Review: Experiential Orchestra’s “American Counterpoints” — Fine Music Hiding in Plain Sight

June 1, 2024
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There’s no question that either the violinist or the orchestra are completely at home with Julia Perry’s larger style or the notes: this is about as confident and secure a first recording as they come.

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Book Review: “The Warehouse” — A Visual Primer of America’s Carceral System

June 1, 2024
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The graphics in “The Warehouse” provide clear explanations of a grim reality. The U.S. leads the world at incarcerating its citizens.

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Concert Review: The Rolling Stones — As Precious as Ever

May 31, 2024
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Returning to Gillette Stadium in Foxborough on Thursday night, the Rolling Stones, miraculously, sounded dangerous again.

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Film Review: “Kidnapped: The Abduction of Edgardo Mortara” — Taken by Order of the Pope

May 31, 2024
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There is no denying that “Kidnapped”‘s warning about political authority abusing religion for its own accumulative ends resonates powerfully at this moment.

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Concert Reviews: Chamber Music Roundup — Radius Ensemble and Chameleon Arts Ensemble

May 30, 2024
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Two Boston-area chamber music ensembles recently ended their seasons. Each embraced the present in its own distinctive way.

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Theater Review: “4000 Miles” — Are We There Yet?

May 30, 2024
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The script is representative of the pitfalls of current theatrical minimalism — less can so easily be less.

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