Posts
This week’s poem: Anthony Robinson’s “A Short History of Belles-Lettres”
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Despite its undeniable fun, Christopher Durang’s play feels somewhat quaint a decade or so since it was written.
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Director Takashi Miike’s latest is a killjoy of a film: it doesn’t want to have fun with its material, but it’s impossible to take it seriously.
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The excellent ensemble of Huntington Theatre Company actors, fittingly, work well as a team.
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The enthusiastic spirit of “Lost Soulz” is appealing enough to make what feels like two different types of movies sutured together dramatically satisfying.
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Over the last 15 years, HarborArts has effectively used public art to raise public awareness, stimulating dialogue about environmental concerns — the climate crisis and degradation of the sea.
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It is hard to think of a moment in the last 100 years when Käthe Kollwitz’s work has been more timely.
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What could have gone terribly wrong goes terrifically right in the hands of this creative team, culminating in a convergence of the life, the oeuvre, and our protagonist’s encroaching agony.
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French opera arias, many recorded for the first time, by the enchanting tenor Cyrille Dubois. The vocal treasures here include a stirring 1842 denunciation of slavery in the Caribbean.
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Book Review: “Freeman’s Challenge” — Essential Reading on Prisons, Slavery, and Profit
The prison was the first in the nation specifically designed to generate a profit for everybody but the laborers.
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