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Literature Commentary: The New Yorker Misses an H.G. Wells Anniversary Worth Celebrating

October 16, 2011
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“For an imaginative boy, the first experience of writing is like a tiger’s first taste of blood.’ — H.G. Wells, “The New Machiavelli,” 1911.

Book Review: Denis Johnson’s Beautiful, Haunting “Train Dreams”

October 15, 2011
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In “Train Dreams” the world of beauty and terror is balanced as only our best writers have been able to balance those things.

Goodbyes and Hellos: Remembering Dennis Ritchie

October 13, 2011
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If you’re reading this on an iMac, MacBook, iPod Touch, iPhone or iPad, you can thank the late Steve Jobs. But your gratitude should also be extended to another technology giant who passed away last Saturday.

Visual Arts Feature: Lining It Up — Dance/Draw at the ICA

October 13, 2011
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“Dance/Draw” at the ICA is a major exhibit about how moving bodies leave traces, what curator Helen Molesworth, not particularly originally, calls the “afterlife of dance.” To a lesser extent, it’s also about how visual artists think about motion when they’re not focused on particular bodies.

Jazz Feature: Exploring the Spirit of John Coltrane’s Music, On the Page and the Concert Stage

October 11, 2011
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Anthony Wallace’s interview on last year’s John Coltrane Memorial Concert, which includes questions about a book on the musician’s spirituality, offers plenty to think about before the 2012 version of the homage to the master musician, which takes place on November 3rd.

Music Review: Regina Carter — A Genius Comes to Rockport

October 11, 2011
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With Reverse Thread, Regina Carter moves beyond conventional boundaries, her music a rich blend of jazz and world music—a cross-cultural exploration of modern and traditional music that expands the boundaries of both genres. Regina Carter. At the Shalin Liu Performance Center, September 24. Her album is Reverse Thread (E1 Entertainment). Carter will be performing in…

Film Round-up: Halloween Scarefests on the Silver Screen

October 11, 2011
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In the coming week there will be screenings of a variety of horror films from over the decades — you choose how you want your spine tingled. And don’t forget to dress up

Classical Concert Review: Sean Newhouse Conducts the BSO

October 9, 2011
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Despite some interpretive shortcomings, Sean Newhouse, the orchestra’s 30-year-old assistant conductor has solid technique, and a major orchestra whose players, management, and audience believe in him.

Theater Review: A Rousing Night of Burlesque at The Wrathskellar

October 9, 2011
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Given the power, glory, and fun the Boston Babydolls supply with their burlesque routines — pasties and nipple tassels whirl with furious aplomb — the lack of spooky payoff in “The Wrathskellar” amounts to a minor drawback.

Poetry Review: A Playful Walk along “The Illustrated Edge”

October 8, 2011
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In locales as varied as Israel, Kenya, Massachusetts, and the country of the brain, and in rough groupings of poems about small daily epiphanies, relationships, loss and death, and the sad affairs of the world, the poems in “The Illustrated Edge” explore the meandering paths of all sorts and mixtures of feelings.

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