Month: April 2018
The script is symptomatic of the Trump era: a passionate rejection of the “politically correct” pushes warriors for “freedom,” as well as voices of radicalism, into morally despicable positions.
Read MoreThe Birringer Duo’s disc is a terrific, engaging release, The Colin Currie Group’s performance is nothing short of a powerhouse, and pianist Liza Stepanova plays with lots of character and color.
Read MoreThe Boston Symphony Chamber Players gave a very satisfying performance of eclectic musical material.
Read MorePeter Oundjian and the Royal Scottish National Orchestra deliver a great album, smartly programmed and played to the hilt. Leonard Bernstein’s live Mahler was often electrifying; this performance, even with some cracked notes and hairy transitions, certainly is.
Read MoreAs part of its 150th anniversary celebration, NEC commissioned Anthony Coleman to compose a large-scale work he has named Streams.
Read MoreNausheen Eusuf’s deep affection for language and sound is omnipresent.
Read MoreA wide-ranging slate of documentary features on display in this year’s Independent Film Festival Boston. Here’s a sampling of a few of the standout films coming up.
Read MoreNew Yorker critic Alex Ross has called the LAPO the best orchestra in the country and that appellation seems about right.
Read MoreThe thought of the Kissin/Emerson collaboration was very intriguing, and I anticipated amazing music making.
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