Month: November 2015
“Theater producers do not want to make their audience members uncomfortable and talking about race makes folks uncomfortable.”
Read MoreDough contains plenty of tasty charm and passion.
Read MoreBy any measure, this is an impressive orchestra, as technically accomplished as any number of professional ensembles, domestic and international.
Read MoreSara Silverman throws herself into depicting Laney’s mental illness and out-of-control life.
Read MoreGiven the precipitous Internet-driven decline of print journalism over the past decade, Spotlight vividly reminds us of the clout of a local newspaper speaking truth to power.
Read MoreOther than a highway sign not much remains, but the artistic legacy of Black Mountain College is truly indelible.
Read MoreDramatist Katori Hall’s narrative unfolds with few surprises: every revelation, every secret, every comeuppance is foreshadowed.
Read MoreCasa Valentina’s dramatic weight comes from how skillfully the cast explores the tensions that swirl about the subject of who is gay, who is straight, and what is legal.
Read MoreArts Fuse critics select the best in film, theater, dance, music, visual arts, and author events for the coming week.
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Film Review/Commentary: “Goodnight Mommy”—We Have Met the Enemy and He is Ours
Two recent horror films know what they are doing: they are intelligent, clever, original, and genuinely disturbing.
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