Month: November 2015
Each of the ten or so music-less sections showed us a different way of composing movement.
Read MorePostmodern Jukebox dials the clock back on contemporary pop.
Read MoreTwo films in the Boston Jewish Film Festival: one sticks to the commonplace, the other looks at the bizarre.
Read MoreBrooklyn‘s script neatly consolidates the novel’s trials and tribulations without becoming too saccharine.
Read MoreAlice Rohrwacher’s film, which won the Grand Prix at the 2014 Cannes Film Festival, is a rarity — it is genuinely magical.
Read MoreI just have to use all my personal musical experience — classical music and jazz and rock and electronic sound — and not worry about where it fits.
Read MoreWhat keeps the film churning? Not much. A bit of withheld information.
Read MoreIf anyone needs more evidence that graphic memoirs are the equal of purely literary ones, Invisible Ink closes the case for good.
Read More“The question is what piece of the American experience is next going to add the richness of its voice to the Supreme Court.“
Read More