Month: October 2014

Book Review: Associate Justice Antonin Scalia — A Judge Who Refuses to Evolve

October 15, 2014
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Bruce Allen Murphy conveys the impression that Scalia knows how he feels on every issue before the briefs have been argued.

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Film Review: The Intriguing Documentary “Art and Craft” — Getting a Kick From Copying Art

October 15, 2014
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Why, when finally caught, didn’t mark Landis land in jail? Here’s the rub. He was a consummate liar and a big-time deceiver but he’s never committed a jailable crime.

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Concert Review: Boston Modern Orchestra Project’s Surround Sound at Jordan Hall

October 15, 2014
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The orchestral playing, a couple moments of questionable intonation notwithstanding, was commanding and, at times, exhilarating.

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Theater Review: German Stage — These Youth Don’t Want to Hear No “WhiteBreadMusic”

October 15, 2014
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In interesting ways, German Stage’s ongoing exploration of Germany’s immigrant populations provides a lens through which we can evaluate how we perceive our immigrants and how we treat them.

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Book Review: “Tennessee Williams: Mad Pilgrimage of the Flesh” — A Definitive Biography of One of Our Most Important Playwrights

October 14, 2014
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The biography is a remarkable read. It has all the hefty research you’d expect from a scholarly work, yet the story is told through prose fit for a great novel.

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Book Review: In Quest of the Elemental — André du Bouchet’s “Openwork”

October 13, 2014
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André du Bouchet writes the kind of poetry that other poets ponder, perhaps resist or even reject for a while, yet inevitably return to study even if (or because) their own poetics are starkly dissimilar to his.

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Visual Arts Review: “Goya: Order and Disorder” — A Mountain of Superlatives

October 13, 2014
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Goya: Order and Disorder is likely the most important exhibition on the New England museum calendar for the coming year and then some.

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Book Review: Merritt Tierce’s Smart and Ruthless “Love Me Back” — The Way We Live Now

October 13, 2014
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So much of what this novel has to say feels bracing and necessary. This is where a good part of America lives—dangling over a chasm.

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Fuse Theater Review: New Rep Comes up With a Sly and Loose Version of “Assassins”

October 13, 2014
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The fine efforts of the New Rep performers and Jim Petosa’s thoughtful staging can’t solve this musical’s central flaw.

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Dance Review: Howling Wolf—Abraham.In.Motion at the ICA

October 12, 2014
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One of the reasons audiences and funders love Kyle Abraham’s work is that the layered landscapes of his dances resonate with the fraught conditions outside the theatre.

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