Month: October 2013

Film Review: “I Used to be Darker” — A Delicate, Compassionate Story

October 17, 2013
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I Used to Be Darker is a movie of small pleasures, lots of them.

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Dance Feature: Edward Villella Takes to the Ice

October 17, 2013
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Reveries, the ice ballet that audiences will get to see in a special benefit performance this weekend, is Edward Villella’s translation of balletic structures and forms into contemporary figure skating technique.

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Classical Album Reviews: The Nutcracker Suites (Harmonie Ensemble/New York and Steve Richman); Veni Emanuel (Choir of Clare College, Cambridge/Ross and Haigh)

October 16, 2013
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Two new releases from Harmonia Mundi celebrate the sacred and secular sides of the Christmas season.

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Fuse Gallery: BeanTown Scenes

October 16, 2013
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As the festival season draws to a close, a look back at the 2013 BeanTown Jazz Festival.

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Book Review: “The Old Priest” — Exquisite Stories About Being Human

October 15, 2013
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This small but important book is a collection of stories about being human. It explores, even probes, the inner recesses of its characters without pretense or flamboyance.

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Rock CD Review: Pearl Jam — A Sturdy “Lightning Bolt”

October 15, 2013
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Lightning Bolt, Pearl Jam’s tenth and latest studio album, takes the band’s newfound (or at least newly re-found) appreciation for radio-friendly mainstream rock and successfully stretches its parameters a bit.

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Book Review: Two Volumes of Swiss Horror for Halloween

October 14, 2013
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Interestingly, both of these powerful visions of horror root their avenging vision of mayhem in the brutal mistreatment of children.

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Classical Album Review: Martin Schlumpf’s “Streams”

October 14, 2013
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A new disc of music by Martin Schlumpf, one of the leading figures in Swiss contemporary music whose career focuses on “the borderlands between improvisation and composition.”

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Concert Review: Thomas Adés Conducts the Boston Symphony Orchestra

October 13, 2013
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The Boston Symphony Orchestra lacks a composer-in-residence. There are many local composers the orchestra might draw on were it to establish such a position, but few have the international reputation of someone like Thomas Adés.

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Jazz Review: The Messenger Legacy — Art Blakey Alumni Keep the Torch Lit

October 13, 2013
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Every few years, people ask, “Is Jazz Dead?” Nights like this, with living masters and future stars all paying homage to a dead legend whose music will live forever, refute the pessimism.

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