Month: July 2011
There are moments in Hideous Progeny (especially early in the second half) that grip and move the audience. But there are not enough of them. I dare this gifted troupe of theater makers to be more inventive, take greater risks, and live up to their so obvious promise. Hideous Progeny by Emily Dendinger. Staged by…
Read MoreThe Chester Theatre Company’s production, directed by Ron Bashford, runs over two hours with nary a dull moment and the actors seem to be having as wonderful a time as the audience.
Read MoreTornadoes in the Connecticut River Valley haven’t stopped this summer’s festivals in Springfield, Hartford and Greenfield. Plus, Boston celebrates Latino and African culture.
Read MoreSitting down this evening to review “Bon Iver,” something happened. My strongly negative initial impressions of the album changed into an appreciation of the mystical spirit of the music, its harmonious chords and their reflection of the harmony of nature.
Read More“To End All Wars” embodies its themes –- the decline of the aristocracy, the rise of propaganda, the transformation of war-making, the heroism of resistance –- so skillfully in a dozen or so major characters and another dozen minor ones that this history of the First World War reads like a lively group biography.
Read MoreThere is nothing shocking, nothing sensational, nothing revelatory, in this workmanlike production of ARMS AND THE MAN. Nor should there be, as the play doesn’t give much room for innovation.
Read More“The Day Is Coming” continues the album’s momentum. Similar to “Victory Dance,” the song starts with a chorus of odd vocals. However, these are catchier, and are soon followed by the arrival of spastic guitar, pounding drums, and chord-tastic pianos.
Read More“Page One” is quite interesting but also quite scattered. You’ll exit the theater knowing a couple things about the New York Times, and maybe feeling like you got an idea about the characters of some of the talented, humorous, and interesting personalities that put it together.
Read MoreThe likable Commonwealth Shakespeare Company staging leans very heavily on the comedy in ALL’S WELL THAT ENDS WELL, minimizing the Bard’s melancholic undertow.
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