Visual Arts
For decades the MFA gave Dalí the cold shoulder, so it’s great that this maiden voyage is non-puritanical and open to the artist’s less than wholesome instincts to provoke.
Tastefully colorful and aesthetically pleasing, stylish as well as minimalist, modern yet richly symbolic, the Look of the Paris 2024 Olympic Games got many things right and a few wrong.
These designs serve as a forceful testament to the endless possibilities of architecture, to the imaginative power of engineering.
In this book, Wendy Steiner argues that if we don’t waste, it is very likely that we do not really want.
Émile Bernard, to his credit, spends much of his life redeeming rather than demeaning his friend.
Almost immediately, this now quarter century old program proved to be a wonderful merger of art and environment, creativity and nature.
This is the first US museum exhibition for Paula Modersohn-Becker, and one of the crucial shows to see in New York this summer.
Considering that none of Guillaume Guillon-Lethière’s history is familiar, absorbing this scholarly exhibition, which is accompanied by extensive labels and wall texts, is demanding.
Political attacks aside, MIT’s Schwarzman College of Computing is a contemporary jewel of a building.
In her insightful commentaries and art, Hana Miletić demonstrates how labor and materiality reflect subtexts of power, ranging from the “soft” to the “hard.”
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