Visual Arts
Émile Bernard, to his credit, spends much of his life redeeming rather than demeaning his friend.
Almost immediately, this now quarter century old program proved to be a wonderful merger of art and environment, creativity and nature.
This is the first US museum exhibition for Paula Modersohn-Becker, and one of the crucial shows to see in New York this summer.
Considering that none of Guillaume Guillon-Lethière’s history is familiar, absorbing this scholarly exhibition, which is accompanied by extensive labels and wall texts, is demanding.
Political attacks aside, MIT’s Schwarzman College of Computing is a contemporary jewel of a building.
In her insightful commentaries and art, Hana Miletić demonstrates how labor and materiality reflect subtexts of power, ranging from the “soft” to the “hard.”
It is hard to think of a moment in the last 100 years when Käthe Kollwitz’s work has been more timely.
The fact that King Charles went along with Jonathan Yeo’s amped-up riff on academic portraiture intrigues, especially in light of his peevish opposition to modernist architecture.
It is ironic — but understandable — that 50 years ago only a handful of people experienced what has become one of the iconic happenings of 20th century art.
Arts Commentary: Creative Cross-Pollination — HarborArts Expands the Power of Public Art
Over the last 15 years, HarborArts has effectively used public art to raise public awareness, stimulating dialogue about environmental concerns — the climate crisis and degradation of the sea.
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