Visual Arts

Visual Arts Review: London’s “Paul Klee: Making Visible” — Endlessly Inventive

January 9, 2014
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Few artists in history have been as multifarious and prolific as Paul Klee – only Picasso and Ernst come to mind.

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Visual Arts Interview: Doing Ad-Lib Art — Richard Thomas Scott Kicks Off “30 Paintings in 30 Days”

December 11, 2013
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Artist Richard Thomas Scott is currently working on his new Kickstarter project, “30 Paintings in 30 Days.” Sponsors pitch him inspirations (“Challenge me to paint something I’ve never done before!”) and he interprets them on canvas..

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Visual Arts Review: “Maus” and More — Art Spiegelman at the Jewish Museum

November 21, 2013
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Art Spiegelman believes that “MAD” magazine was more subversive for his generation of protesters than either marijuana or LSD. It certainly radicalized him.

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Visual Arts Book Review: Looking at Paintings Beyond the Comfort Zone

November 20, 2013
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Daniel Arasse’s method has been defined by his students as “looking, [taking] pleasure and [being] imprudent.” Any and every detail of a work of art can serve as his starting point.

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Arts Remembrance: His Soapbox Was The Brillo Box — Arthur Danto, 1/1/1924 –10/25/2013

November 12, 2013
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The late Arthur Danto was open to and appreciative of all sorts of possibilities in art, as other visual arts critics were not.

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Visual Arts Review: Picasso in Boxer Shorts — Red Grooms at Yale

November 10, 2013
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Red Grooms specializes in high art cartooning with a nod to ideas about time, personality, and the formation of coteries that bear close investigation, or as curator Lisa Hodermarsky’s notes, invite visitors to belly up to the bar.

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Visual Arts Commentary: Five Highlights from the TransCultural Exchange’s 2013 Conference

October 24, 2013
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Residences are such a prominent feature of contemporary creative life that there’s an important gathering, the TransCultural Exchange’s Conference on International Opportunities in the Arts.

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Visual Arts Review: “Dilated Biography — Contemporary Cuban Narratives”

September 30, 2013
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Curator Jorge Antonio Fernández succeeds, for the most part, in creating a stimulating show that is held together by formal and conceptual associations, not just political concerns.

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Arts Commentary: To Stay or Not to Stay? Copley Place’s fountain faces an uphill battle

September 26, 2013
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Today, the fountain at Copley Place feels embarrassing in some way; not its form or execution, but its very existence.

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Visual Arts Review: Courbet’s Mighty Power — His Art and Its Influence On Other Artists

September 22, 2013
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A wide swath of Belgian and American artists became interested in Courbet’s attention to the humble subject and his distinctive handling of paint. Mapping Realism examines how and whom.

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