Visual Arts

Film/Visual Arts Commentary: A Great Backstory — But are Vivian Maier’s Photos All That Good?

May 12, 2014
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A captivating story, indeed. But is Vivian Maier, suddenly famous, and the subject of a new film, the John Maloof-directed Finding Vivian Maier, a worthy artist?

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Visual Arts Review: Italian Futurism — The Future That Wasn’t

May 9, 2014
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Futurism, as the Italian proponents conceived of it, ended up not having much of a future. But its practitioners had some good days at the beginning.

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Visual Arts Review: Jordan Eagles — Art Made of Blood in All Its Ruddy Glory

April 28, 2014
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Rich as the material is, can any Blood Artist develop and mature by just seeing red?

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Visual Arts Review: Designing the California State of Mind

April 27, 2014
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California has long been the home of fads, trends, new styles and the next new thing. It is where cool was and is created.

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Visual Arts Review: “Quilts and Color” — Far From Folk and Perhaps Beyond Art

April 16, 2014
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Far from being the cool, detached, and cerebral creations of the color field artists, these quilts, imagined in their intended context, are deeply personal, sensuous, and alive.

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Visual Arts Review: “Dear Boston” — A Moving Memorial to the First Anniversary of the Boston Marathon Bombing

April 9, 2014
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It is difficult to describe how moving these simple, mundane objects are in the context of this exhibition.

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Museum Notes: The American Folk Art Museum goes down, Harvard Art Museums go dark

February 12, 2014
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Significant changes in the world of the art museum can trigger roiling controversy or transpire in problematic quiet.

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Visual Arts Review: Susan Metrican’s Groovy “Wavy Panes”

February 5, 2014
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Each of Susan Metrican’s pieces is coy and playful. Moving through the gallery is an adventure, visually and spatially.

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Book Review: Art Historian Bernard Berenson — Reinvention as the American Dream

January 19, 2014
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Cohen devotes little space to Bernard Berenson’s art historical methodology, now largely superseded by modern approaches. She relates Berenson’s less admirable qualities without judging them.

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Fuse News: Celebrate the 100th Anniversary of the “End of Reason”

January 18, 2014
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There can be no doubt that Malevich was right, and that since February 1914 reason has played a distinctly subordinate role in human affairs, including art.

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